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If you never print larger than 8×10, this setting will work for you. This only changes the display of the DoF scale, ‘Film Format’ shows you what will be in focus on an 8×10 print when viewed from 1 foot away. You can now select a new setting for ‘Pixel’ or ‘Film Format’. CostĪs you can see in the above chart, the Fuji system costs nearly half of the other options! Functionality Improvements Depth-of-field Scale

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As I stated in the previous review, the X-trans sensor is something different, and I really believe it can compete with the full frames, this combined with incredibly sharp lenses produce phenomenal files. Naysayers will complain that I am not comparing apples to apples here, full frame cameras versus a crop sensor does not make sense, right? I would have thought the same thing before I picked up the Fuji over 2 years ago. For f/2.8 lenses you can see Canon and Nikon are approaching double the weight, and Sony a little over 2 lbs heavier. Below you can see the weight comparisons of f/2.8 lenses on the left, and f/4 lenses on the right. Yes, it is nearly double, but still much lighter than the equivalent Canon, Nikon, or Sony kits. Last year I was at 2.95 lbs, and this year I am at 5.66. Weight is still a big concern for me, this year I decided to take a hit in the name of quality f/2.8 lenses.

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I will be doing a more in-depth review of this and the other XF lenses in the future.įuji X-T2 and Fuji 100-400 400mm – 1/340″, f/5.6, ISO 200. I was surprised at how much I used the lens this fall, a number of photos in this post were taken with this lens. I also added the Fuji 100-400 to my bag, not just for wildlife, but for intimate scenes. The 18-55 and 55-200 have a variable aperture, thus not quite the quality of the 2.8 lenses, but still very good. This gives you a full frame equivalent range from 15mm-305mm. This gives you a full frame equivalent range from 15mm-200mmįor a lighter kit that still has incredible quality, I would recommend this:ġ0-24 f/4, 18-55, and 55-200.

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That’s not to say that you have to upgrade if you get the X-T2, but some lenses like the 18-135 and 50-230 will show some softness now.įor maximum quality I would recommend the following lenses to have a complete range for landscape photography:ġ0-24 f/4, 16-55 f/2.8, and 50-140 f/2.8.

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Some of the lenses do show some weakness with the extra megapixels, because of this I have moved over to the professional line of XF lenses. In my previous review I raved about the sharpness of all the lenses in the Fuji lineup, and while I do stand behind that, things have changed a little bit with the higher resolution sensor.

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If you are interested in looking at the RAW files, you may download the unedited versions here. I did not resize either image, I simply opened them in Photoshop and zoomed to the same level, and matched up the screenshots the best I could. On the other hand, it is very similar to the results you would get from a D810. Considering the big boost in megapixels, I am still happy with the images this camera can produce at night, the grain is finer than before, and there are more details in the shadows.īelow is a crop of un-editied raw files from the X-T1 and X-T2 for comparison. I am not saying that it is bad, although, compared to the new Sony’s it doesn’t hold a candle. I was hoping for a large improvement in the high ISO department, but this seems to be an area where cropped sensors cannot quite compete yet.

The files are so clean and sharp, that I would not hesitate to resample the files to 30×45 and produce beautiful prints.

No, it is not a 5Ds R, or a A7RII, but how many of us really need that many megapixels? The native resolution of this camera will give you a print of 16×24 at 240ppi. This finally puts it in close competition with most high megapixel cameras out there. Going from 16.3mp to 24.3mp is a major jump. One of the biggest reasons to consider an upgrade from the X-T1 is, of course, the increase in resolution. Fuji has answered with a 24.3mp X-trans sensor that will have many questioning if they really need a full frame sensor.įuji X-T2 and 16-55 f/2.8 – 1/25″, f/8, ISO 200. I will admit, a bump up in the megapixels was one of the few things I was pining for. The X-T1 has been my primary camera all this time, and I have had no regrets moving to this system. If you are new to the Fuji system I would recommend reading this post first to understand my affection for Fuji. It has been 2 years since I wrote my Review of the Fuji X-T1.